Search results
Results from the WOW.Com Content Network
"Turn Me On" is a song by French DJ David Guetta from his fifth studio album Nothing but the Beat. Vocals are provided by rapper and singer Nicki Minaj , whose second studio album Pink Friday: Roman Reloaded features the song as a bonus song on its deluxe version.
"Turn Me On" is a song by English DJ Riton and Dutch producer Oliver Heldens featuring English-American singer Vula. It was released on 13 September 2019 through Ministry of Sound Recordings. The drop fully incorporates the main melody from Yazoo 's 1982 classic " Don't Go " while some of the lyrics reference 1977 song "Doctor Love" by American ...
"Turn Me On" is the debut single of Vincentian singer Kevin Lyttle. It was the lead single from his self-titled debut album . The song was originally a soca ballad released in 2002 on the VP Records sublabel Waist Line Muzik, [ 1 ] remade into a dance hit for the US release.
"Turn Me On" is a song by John D. Loudermilk that was first recorded and released by Mark Dinning in 1961 as the B-side to his single "Lonely Island". Other notable versions are by Nellie Rutherford and Nina Simone. [4] Norah Jones released her version as the last single from her debut album Come Away with Me on May 12, 2003.
"Let Me Hold You (Turn Me On)" is a song by American DJs Cheat Codes and Dutch DJ Dante Klein. Released by Spinnin' Records on July 1, 2016, the song is largely a cover of Kevin Lyttle 's 2003 hit " Turn Me On ", though it does include new lyrics.
"Turn Me On" is the debut solo single by British singer Sean Smith. It was written by Christian Ingebrigtsen of the British–Norwegian pop group a1 and Nalle Ahlstedt (who also produced it). The track was released on 23 September 2016 through Energise Records .
Rumors circulated once again when Ciara released a viral video "Basic Instinct (U Got Me)" to kick off promotion for her album of the same name. [42] Ciara addressed claims that remarks in the song were referring to Hilson in an interview with Rap-Up , stating that the song was dedicated to her haters, gave her a chance to express herself, and ...
The song is noticeable for Whitcomb's falsetto and "orgasmic vocal hook". [2] Whitcomb recorded this song with his band, Bluesville. The hit version is edited; the original single as recorded was over 3 minutes and had a longer intro during which a mike stand can be clearly heard falling into a studio wall and it had a cold ("stinger") ending.