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The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles, interplay of light and shadows, unbalanced framing; blurring of the lines between good and bad and right and wrong, and thematic motifs including revenge, paranoia, and alienation
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Rain-streaked streets, femmes fatales, hard-boiled gumshoes and antiheroes fated to die... Graeme Ross presents his pick of the 20 greatest film noirs of the classic era
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
Bibliography of film: film noir; The Big Bluff (1955 film) The Big Boodle; The Big Caper; The Big Chance (1957 British film) The Big Clock (film) The Big Combo; The Big Fix (1947 film) The Big Heat; Big House, U.S.A. Big Jim McLain; The Big Knife; The Big Night (1951 film) The Big Sleep (1946 film) The Big Steal; The Bigamist (1953 film) Black ...
Cotton Comes to Harlem is a 1970 American neo-noir [2] action comedy film [3] co-written and directed by Ossie Davis and starring Godfrey Cambridge, Raymond St. Jacques, and Redd Foxx. [4] The film, later cited as an early example of the blaxploitation genre, is based on Chester Himes' novel of the same name. [5]