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Oedipus, a figure commonly considered a tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
Examples: Absent-minded professor: An eccentric scientific genius who is so focused on his work that he has shortfalls in other areas of life (remembering things, grooming). [2] This is the benign version of the mad scientist. Professor Calculus; Dr. Emmett Brown [3] (Back to the Future) Julius F. Kelp/Sherman Klump; Egon Spengler; Professor ...
Historians do not know who wrote the only extant example of the fabula praetexta (tragedies based on Roman subjects), Octavia, but in former times it was mistakenly attributed to Seneca due to his appearance as a character in the tragedy. [42] Seneca's tragedies rework those of all three of the Athenian tragic playwrights whose work has survived.
Traditionally, the event would require "some element of moral failure, some flaw in character, or some extraordinary combination of elements" [1] to be tragic. Not every death is considered a tragedy. Rather, it is a precise set of symptoms surrounding the loss that define it as such. [2] There are a variety of factors that define a death as ...
Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes of human nature, mainly as a way of connecting with the audience ...
Democratic strategist James Carville called President Biden the “most tragic figure in modern American politics,” criticizing the president for his decision to wait until so close to Election ...
(However, some critics have argued that the "pseudo-Aristotelian" concept of the tragic flaw does not apply to Shakespeare's tragic figures. [9]) Revenge tragedy was another increasingly popular genre in this age; Shakespeare's Hamlet is one example of this.
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...