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Frutiger Aero (/ f r uː t ɪ ɡ ə r ɛ ə r ə ʊ /), sometimes known as Web 2.0 Gloss, [1] is a retrospective name applied to a design trend observed mainly in user interfaces, product design, and Internet aesthetics from the mid-2000s to the early 2010s. [2] It succeeded the Y2K aesthetic, which was popular from the late 1990s to the early ...
The team took inspirations from both the Silent Hill series and The Crucible, which is a play about the Salem witch trials that took place in the Massachusetts Bay Colony during 1692–93. The game was also inspired by films including The Witch, The Blair Witch Project, Hellraiser, It Follows, The Omen, and Season of the Witch. [5]
Triptych of Takiyasha the Witch and the Skeleton Spectre, c. 1844, Utagawa Kuniyoshi (1797–1861), V&A Museum no. E.1333:1 to 3-1922. Takiyasha the Witch and the Skeleton Spectre or Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha (Japanese: 相馬の古内裏 妖怪がしゃどくろと戦う大宅太郎光圀) is an ukiyo-e woodblock triptych by Japanese artist Utagawa ...
The visual aesthetic (often stylized as "AESTHETICS", with fullwidth characters) [20] incorporates early Internet imagery, late 1990s web design, glitch art, and cyberpunk tropes, [12] as well as anime, Greco-Roman statues, and 3D-rendered objects. [44] VHS degradation is another common effect seen in vaporwave art.
Earwig and the Witch (Japanese: アーヤと魔女, Hepburn: Āya to Majo, lit. ' 'Aya and the Witch' ') is a 2020 Japanese animated fantasy film directed by Gorō Miyazaki and with a screenplay by Keiko Niwa and Emi Gunji. It is based on the novel of the same name by Diana Wynne Jones.
Jadis, the White Witch, portrayed by Barbara Kellerman in the BBC miniseries The Chronicles of Narnia (1988, season 1). The White Witch was played by Elizabeth Wallace in the 1967 British TV series The Lion the Witch and the Wardrobe. In the sixth episode of The Young Ones, during a game of hide-and-seek, Vyvyan attempts to hide in a wardrobe.
Despite the name of the genre, witch house has little in common with house music, which generally features a strong up-tempo beat.Instead, witch house adapts techniques rooted in chopped and screwed hip-hop, specifically drastically slowed tempos with skipping, stop-timed beats [10] —from artists such as DJ Screw, [11] coupled with elements from other genres such as Wave music, Trap music ...
The story begins with the witch-queen Tzod ascending a snowy mountain. At its peak, in a giant skull, she confronts the guardian of a mystic flower known as the Bloom. While the guardian initially threatens her and tries to drive her away, she shows an identical flower, explaining that her people had found where it had cast a seed long ago.