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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Pages in category "Concert overtures" The following 70 pages are in this category, out of 70 total. This list may not reflect recent changes. 0–9. 1812 Overture; A.
Musical overtures can be: Instrumental pieces that precede a stage production; One-movement pieces for concert performance or specific occasions (concert overtures); Baroque suites, in that case synonym to "Ouverture".
Next to the actual, finalized Fidelio overture, this is the most commonly performed version, and still sometimes replaces the Fidelio overture in some productions. Egmont Overture , Op. 84 Wellington's Victory , Op. 91 is also known as the Battle Symphony and describes the battle between the French and British armies outside the Spanish town of ...
Later examples can be found as the opening movement of each of Johann Sebastian Bach's orchestral suites, Partita in D major, BWV 828, C minor Cello Suite, BWV 1011, and as an opening to many operas and oratorios by George Frideric Handel (including Messiah and Giulio Cesare). The 16th of Bach's Goldberg Variations is a miniature French overture.
An overture is incidental music that is played usually at the beginning of a film, play, opera, etc., before the action begins. It may be a complete work of music in itself or just a simple tune. In some cases it incorporates musical themes that are later repeated in other incidental music used during the performance.
This is a list of musical genres within the context of classical music, organized according to the corresponding periods in which they arose or became common. Various terms can be used to classify a classical music composition, mainly including genre, form , compositional technique and style.
These musical statue gardens, known as concert overtures worked as vehicles "within which to blend musical, narrative and pictoral ideas." [33] Examples included Mendelssohn's overtures A Midsummer Night's Dream (1826) and The Hebrides (1830). [33] Eventually, composers built bigger gardens, otherwise known as symphonic poems.