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This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
For example, the Book of Revelation does not say the Antichrist will be the son of Satan (it does not even mention him), but the idea was made popular in at least two movies, The Omen, and its sequels, with the evil child, Damien, who grows up with the destiny to rule and destroy the world, and Rosemary's Baby with her son, Adrian.
Li Shuwen is depicted as a Servant, a type of familiar, in the Fate franchise, beginning with Fate/Extra. [6] The franchise features several versions; he is depicted as a young or older man depending on the story, and due to Servants being subject to character classes, he is either a Lancer or Assassin.
The lives of the characters in J. R. R. Tolkien's world of Middle-earth appear variously to be driven by luck or by fate.This is arranged in such a way that the characters' free will is never compromised; they must rely on their own courage, just like Old English heroes like Beowulf and figures from Norse mythology.
David Henrie, Selena Gomez Address Jake T. Austin's “Wizards” Reboot Absence by Revealing His Character's 'Billionaire' Fate Julia Moore October 30, 2024 at 1:36 PM
Randolph Carter appears in Fate/Grand Order as a non-playable character in the Salem chapter. In Persona 2: Eternal Punishment ' s additional scenario (PSP Remake), Randolph Carter is a character who grants access to Kadath Mandala for the party, requesting that they retrieve the fragment of his soul stolen by Nyarlathotep .
In Manos: The Hands of Fate, one of the characters, Torgo, was intended to be a satyr. In the 2008 Disney film Bedtime Stories the character Mickey (Russell Brand) is seen in one of Skeeter Bronson's (Adam Sandler) stories as a Satyr–Faun. In the adverts for O2 the actor Jim Howick plays a Satyr–Faun.
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...