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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
It features both in the films, many times, and in Shore's concert suite Concerning Hobbits. The melody, all in one key, occurs in pensive, rural, and hymn settings. [n] The pensive setting [o] is played classically, with the melody on whistle or clarinet according to the mood of the moment.
Following the style of his music for The Lord of the Rings film series, Howard Shore constructed the score for The Hobbit using many strong recognisable musical themes. The musicologist Doug Adams described these as "an encyclopedic network of leitmotifs: dozens of themes that represented cultures, characters, objects, and dramatic concepts in Middle-earth."
The Lord of the Rings: The Fellowship of the Ring: Original Motion Picture Soundtrack was released on 20 November 2001. It was composed, orchestrated, and conducted by Howard Shore, and performed by the London Philharmonic Orchestra, the New Zealand Symphony Orchestra, the London Voices, London Oratory School Schola choir and multiple featured instrumental and vocal soloists.
Concerning Hobbits; The Seduction of the Ring; The Black Rider and Treason of Isengard "Movement 2" – 34:04. Rivendell; The Ring Goes South; A Journey in the Dark; The Bridge of Khazad Dum; Lothlorien; The Great River; Amon Hen; The Breaking of the Fellowship "Movement 3" – 18:15. Foundations of Stone/Glamdring; Gollum; Rohan; The Black ...
"In Dreams" is a song by Howard Shore, with lyrics by Fran Walsh, originally written for Peter Jackson's 2001 film The Lord of the Rings: The Fellowship of the Ring.In the film, it was sung by the boy soprano Edward Ross of the London Oratory School Schola.
Chance discusses the role of the hobbits Pippin and his friend Merry, in illuminating the contrast between what she calls the "good and bad Germanic lords Théoden and Denethor". [7] Tom Shippey notes the "antithetical" symmetry in the relationships with the two lords, commenting that this depicts the contrasting cultures of the two kingdoms. [8]
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
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