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In this case, the chord is viewed as a C major seventh chord (CM 7) in which the third note is an augmented fifth from root (G ♯), rather than a perfect fifth from root (G). All chord names and symbols including altered fifths, i.e., augmented (♯ 5, +5, aug5) or diminished (♭ 5, o 5, dim5) fifths can be interpreted in a similar way.
The second movement of Tabula Rasa, “Silentium,” or silence, is composed in the key of D minor, giving the impression of a V-I cadence in relation to "Ludus" in A minor. The movement begins with an arpeggiated D minor second inversion chord, played by the prepared piano. “Silentium” expands as a mensuration canon.
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The use of chords labeled G 7alt can create challenges in jazz ensembles where more than one chordal instrument are playing chords (e.g., a large band with an electric guitar, piano, vibes, and/or a Hammond organ), because the guitarist might interpret a G 7alt chord as containing a ♭ 9 and ♯ 11, whereas the organ player may interpret the ...
This motif also appears in measures 6, 10, and 12, several times later in the work, [clarification needed] and at the end of the last act.. Martin Vogel [] points out the "chord" in earlier works by Guillaume de Machaut, Carlo Gesualdo, J. S. Bach, Mozart, Beethoven, or Louis Spohr [1] as in the following example from the first movement of Beethoven's Piano Sonata No. 18:
John’s gift showed up early; as a tween he did classes at the Royal Academy of Music. At his piano in Pinner, England, at age 6 (L), and in 1962 (R) Rocket Entertainment (2)
PHOTO: Matt Houlihan and his siblings, Kelsey Houlihan Ford and Brian Houlihan, surprised their father, Tim Houlihan, on his last day of work with one last shared carpool ride.
Tabula Rasa was a progressive rock group from Finland, active from 1972 to 1977. [1] ... Piano - Jarno Sinisalo; Discography. Studio albums. Tabula Rasa (1975)
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