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Just as I Am is the third studio album by American country rock singer Brantley Gilbert. It was released on May 19, 2014 via Valory Music Group. [1] [2] The album includes the number one singles "Bottoms Up" and "One Hell of an Amen". [3] [4] Gilbert wrote or co-wrote all 11 tracks. [5] [6]
Pages in category "Songs written by Brantley Gilbert" The following 24 pages are in this category, out of 24 total. ... Same Old Song (Brantley Gilbert song)
From a song: This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned. Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
Brantley Keith Gilbert (born January 20, 1985) is an American country rock singer, songwriter and record producer from Jefferson, Georgia. He was originally signed to Colt Ford 's label, Average Joes Entertainment , where he released Modern Day Prodigal Son and Halfway to Heaven .
Brantley Gilbert is an American country music artist. His discography consists of seven studio albums— A Modern Day Prodigal Son (2009), Halfway to Heaven (2010), Just As I Am (2014), The Devil Don't Sleep (2017), Fire & Brimstone (2019), So Help Me God (2022), and Tattoos (2024).
The song, written by Gilbert, Brock Berryhill, and Michael Hardy, is an ode to reaping the benefits that working can get you.The chorus, "It can put a Rolex on a redneck / It can put some inches on your big black Chevy / It can put a Yeti on your back deck, slap full of longnecks / Camo on your brand new Benelli", is full of references to the benefits of working on the job.
It should only contain pages that are Brantley Gilbert songs or lists of Brantley Gilbert songs, as well as subcategories containing those things (themselves set categories). Topics about Brantley Gilbert songs in general should be placed in relevant topic categories .
"It's the Same Old Song" was recorded by the Four Tops for the Motown label. [1] It was released in 1965 as the second single from their second album.Written and produced by Motown's main production team Holland–Dozier–Holland, the song is today one of The Tops' signatures, and was reportedly created—from initial concept to commercial release—in 24 hours.