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Melaleuca decussata, commonly known as cross-leaf honey-myrtle or totem poles, is a plant in the myrtle family, Myrtaceae native to South Australia and both native and naturalised in Victoria. It is an adaptable shrub, grown in many parts of Australia for its attractive foliage but it is regarded as an environmental weed in parts of Victoria.
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.
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Archaeological investigations, carried out just 100 metres north of Stonehenge back in the 1960s suggest that a series of giant totem-pole-like timber obelisks had been erected there some 5,500 ...
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Farmer's Pole is a 1984 cedar totem pole designed by Quinault artist Marvin Oliver, carved by artist James Bender and commissioned by architect Victor Steinbrueck, installed in Seattle's Victor Steinbrueck Park, in the U.S. state of Washington.
Sitka National Historical Park (earlier known as Indian River Park and Totem Park) is a national historical park in Sitka in the U.S. state of Alaska. [4] [5] It was redesignated as a national historical park from its previous status as national monument on October 18, 1972. [6]
The Seattle Center Totem is a 1970 totem pole carved by Duane Pasco, Victor Mowatt, and Earl Muldon, installed at Seattle Center in the U.S. state of Washington. The 30-foot-tall totem depicts a hawk, a bear holding a salmon, a raven, and a killer whale. [1] The work was funded by the Seattle Arts Commission. [2]