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In Advance of the Broken Arm, also called Prelude to a Broken Arm, is a 1915 sculpture by Dada artist Marcel Duchamp that consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. One explanation for the title is that without the shovel to remove snow, one might fall and break an arm. [1]
Two years later, through correspondence from New York with his sister, Suzanne Duchamp, in France he intended to make it a readymade by asking her to paint on it "(from) Marcel Duchamp". However, Suzanne, who was looking after his Paris studio, had already disposed of it. In Advance of the Broken Arm (En prévision du bras cassé), 1915.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913 This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism , conceptual art , and Dada .
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
In Advance of the Broken Arm, a 1915 readymade sculpture from Marcel Duchamp, consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. The original artwork which used to hang in Duchamp's studio is now lost, but an authorized replica is in the collection of the Yale University Art Gallery. [14]
The Bride Stripped Bare by Her Bachelors, Even (in French : La mariée mise à nu par ses célibataires, même), most often called The Large Glass (in French : Le Grand Verre), is an artwork by Marcel Duchamp over 9 feet (2.7 m) tall and almost 6 feet (1.76m) wide. Duchamp worked on the piece from 1915 to 1923 in New York City, creating two ...
In 2004, even before multiple combat deployments became routine, a study of 3,671 combat Marines returning from Iraq found that 65 percent had killed an enemy combatant, and 28 percent said they were responsible for the death of a civilian. Eighty-three percent had seen ill or injured women or children whom they were unable to help.
Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Before its first presentation at the 1912 Salon des Indépendants in Paris it was rejected by the Cubists as being too Futurist.