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"Righteous" means acting in accord with divine or moral law. "Indignation" is a revolted sense of disapproval. "Indignation" is a revolted sense of disapproval. The Standard Dictionary describes indignation as a "feeling involving anger mingled with contempt or disgust".
An example of divine retribution is the story found in many cultures about a great flood destroying all of humanity, as described in the Epic of Gilgamesh, the Hindu Vedas, or the Book of Genesis (6:9–8:22), leaving one principal 'chosen' survivor. In the first example, it is Utnapishtim, in the Hindu Vedas it is Manu and in the last example ...
Its chief meaning concerns ethical conduct (for example, Leviticus 19:36; Deuteronomy 25:1; Psalms 1:6; Proverbs 8:20). In the Book of Job, the title character is introduced as "a good and righteous man". [12] The Book of Wisdom calls on rulers of the world to embrace righteousness. [13]
Prior to Ambrose, these four qualities were identified by the Greek philosopher Plato as the necessary character traits of a good man, and were discussed by other ancient authors such as Cicero. They can also be found in the Old Testament Book of Wisdom , which states that wisdom "teaches moderation and prudence, righteousness and fortitude ...
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Sodom and Gomorrah by John Martin. In the Abrahamic religions, Sodom and Gomorrah (/ ˈ s ɒ d ə m /; / ɡ ə ˈ m ɒr ə /) were two cities destroyed by God for their wickedness. [1] Their story parallels the Genesis flood narrative in its theme of God's anger provoked by man's sin (see Genesis 19:1–28).
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Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...