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Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
In the 20th century the trend toward abstraction coincided with advances in science, technology, and changes in urban life, eventually reflecting an interest in psychoanalytic theory. [2] Later still, abstraction was manifest in more purely formal terms, such as color, freedom from objective context, and a reduction of form to basic geometric ...
Abstraction is a process where general rules and concepts are derived from the use and classifying of specific examples, literal (real or concrete) signifiers, first principles, or other methods. "An abstraction" is the outcome of this process — a concept that acts as a common noun for all subordinate concepts and connects any related ...
Abstractionism is the theory that the mind obtains some or all of its concepts by abstracting them from concepts it already has, or from experience. [1] One may, for example, abstract 'green' from a set of experiences which involve green along with other properties. Also, for example, one may abstract a generic concept like 'vegetable' from the ...
Rowell, M. and Zander Rudenstine A. Art of the Avant-Garde in Russia: Selections from the George Costakis Collection. New York: The Soloman R. Guggenheim Museum, 1981. Shishanov V.A. Vitebsk Museum of Modern Art: a history of creation and a collection. 1918–1941. – Minsk: Medisont, 2007. – 144 p. “Encyclopedia of Russian Avangard. Fine Art.
Abstraction is the thought process in which ideas are distanced from objects. Abstraction uses a strategy of simplification of detail, wherein formerly concrete details are left ambiguous, vague, or undefined; thus speaking of things in the abstract demands that the listener have an intuitive or common experience with the speaker, if the speaker expects to be understood.
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
According to Andrew Escobedo, "literary personification marshalls inanimate things, such as passions, abstract ideas, and rivers, and makes them perform actions in the landscape of the narrative." [ 28 ] He dates "the rise and fall of its [personification's] literary popularity" to "roughly, between the fifth and seventeenth centuries". [ 29 ]