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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
The basic structure is much like iambic trimeter, except that the last cretic is made heavy by the insertion of a longum instead of a breve. Also, the third anceps of the iambic trimeter line must be short in limping iambs. In other words, the line scans as follows (where — is a long syllable, ⏑ is a short syllable, and × is an anceps):
Mostly these consist of either a dactylic hexameter or an iambic trimeter, followed by an "epode", which is a shorter line either iambic or dactylic in character, or a mixture of these. The first or second line can also end with an ithyphallic colon (– ᴗ – ᴗ – x). [9] For examples of such epodic strophes see: Archilochian; Alcmanian
The iambic distich is the basis of many poems of a genre known as Iambus, in which the poet abuses and censures individuals or even communities, whether real or imaginary. Iambic rhythms were felt to be especially suited to this role. The Greek poet Archilochus was one of the main exponents of the iambic distich.
Runs of glyconic lines are often ended by a pherecratean (a catalectic glyconic): x x – u u – – The acephalous ("headless") version (^gl), also known as the telesillean (Latin: telesilleus), is: x – u u – u – The glyconic can also be expanded into the lesser and greater asclepiad lines: [2] x x – u u – – u u – u –
The iambic tetrameter was one of the metres used in the comedies of Plautus and Terence in the early period of Latin literature (2nd century BC). This kind of tetrameter is also known as the iambic octonarius, because it has eight iambic feet. [1] There were two varieties. One had a break at the end of the second metron as in Ambrose's hymn.
A deep trunk muscle, the QL attaches to the lower spine and the backside of the pelvis, says physical therapist Nicole Haas, P.T., D.P.T., founder of Boulder Physiolab in Boulder, Colorado.
A line in which accents fall consistently on even-numbered syllables ("Al còr gentìl rempàira sèmpre amóre") is called iambic (giambico) and may be a greater or lesser hendecasyllable. This line is the simplest, commonest and most musical but may become repetitive, especially in longer works.