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In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added ...
In the key of C major, an E ♭ triad would be notated as ♭ 3. In the key of A major, an F major triad would be notated as ♭ 6. Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
"Do You Believe in Magic" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, it was issued as the band's debut single in July 1965. The single peaked at number nine on the Billboard Hot 100. It later served as the title track of the band's debut album, issued that November.
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
In music, an augmented major seventh chord or major seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and major seventh (1, 3, ♯ 5, 7). It can be viewed as an augmented triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. + Δ 7.
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In this chord, F is a minor seventh above G. In Roman numeral analysis, G 7 would be represented as V 7 in the key of C major. This chord also occurs on the seventh degree of any natural minor scale (e.g., G7 in A minor). The dominant seventh is perhaps the most important of the seventh chords.