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A depiction of St. Jerome was required by the commissioner because of the saint's connection with the adoration of the Virgin Mary. The painting is popularly called Madonna of the Long Neck because "the painter, in his eagerness to make the Holy Virgin look graceful and elegant, has given her a neck like that of a swan."
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The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
The story may be derived from the apocryphal Gospel of Pseudo-Matthew, written around the year 650, [3] which combines many earlier apocryphal Nativity traditions; however, in Pseudo-Matthew, the event takes place during the flight into Egypt, and the fruit tree is a palm tree (presumably a Date Palm) rather than a cherry tree.
They usually show Mary holding the infant Jesus in an informal and maternal manner. These paintings often include symbolic reference to the Passion of Christ. The "Adoring Madonna" is a type popular during the Renaissance. These images, usually small and intended for personal devotion, show Mary kneeling in adoration of the Christ Child.
"The Bells of St. Mary's" is a 1917 popular song. The music was written by A. Emmett Adams, the lyrics [1] by Douglas Furber, following a visit to St. Mary's Church, Southampton, England. [2] It was published by the London company Ascherberg, Hopwood & Crew. The song was revived in 1945, in the film of the same name, by Bing Crosby and Ingrid ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology. Throughout the centuries Marian music has grown and progressed, and witnessed a resurgence along with the Renaissance , e.g. with the composition of the Ave Maria motet by Josquin des Prez .