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1970s-era funk music often takes a short one or two bar musical figure based on a single chord one would consider an introduction vamp in jazz or soul music, and then uses this vamp as the basis of the entire song ("Funky Drummer" by James Brown, for example). Jazz, blues, and rock are almost always based on chord progressions (a sequence of ...
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
One of the best known examples of the passacaglia in Western classical music is the Passacaglia and Fugue in C minor, BWV 582, for organ by Johann Sebastian Bach. The French clavecinists , especially Louis Couperin and his nephew François Couperin , used a variant of the form—the passacaille en rondeau —with a recurring episode between the ...
This is a list of musical genres within the context of classical music, organized according to the corresponding periods in which they arose or became common. Various terms can be used to classify a classical music composition, mainly including genre, form , compositional technique and style.
All these songs use twelve-bar blues riffs, and most of these riffs probably precede the examples given (Covach 2005, p. 71). In classical music, individual musical phrases used as the basis of classical music pieces are called ostinatos or simply phrases. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
The concept of a musical schema is based on schema theory in psychology. Each schema has discernible internal characteristics—such as voice leading, number of events, and relative metric strength and weakness of such events—as well as normative placements in the musical structure as a whole.