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Rosemary Wells, reviewing Aesop's Fables wrote "Pinkney's Aesop is a visual treat. These are beautiful illustrations, combining pencil, colored pencil and watercolor with a light-as-air touch. .. The book is handsomely designed, in a large format, and fine paper sets off the illustrations to their best advantage." [1]
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
In the 1912 edition of Aesop's Fables, Arthur Rackham chose to picture the carefree frogs at play on their King Log, a much rarer subject among illustrators. [13] But the French artist Benjamin Rabier, having already illustrated a collection of La Fontaine's fables, subverted the whole subject in a later picture, Le Toboggan ('The sleigh-run ...
There are ancient Greek versions of the fable, and it was included in the Medici Manuscript collection of Aesop's fables [2] dating from the 1470s. [3] However, its earliest appearance in another language is as number 60 in the collection of 150 fables in Latin verse by the Austrian poet Pantaleon Candidus (1604). [4]
The illustration of the fable by François Chauveau in the first volume of La Fontaine's fables, 1668 . The Fox and the Grapes is one of Aesop's Fables, [1] numbered 15 in the Perry Index. [2] The narration is concise and subsequent retellings have often been equally so. The story concerns a fox that tries to eat grapes from a vine but cannot ...
Burundi's 1987 set of children's tales uses Gustave Doré's picture of the despairing farmer holding the body of the slaughtered goose (see above). [14] The fable later appears on the 73 pence value from a Jersey set celebrating the bicentenary of Hans Christian Andersen in 2005, although "The Goose that Laid the Golden Egg" never figured among ...
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Jean Restout made a painting of La Fontaine's fable for the Hôtel de Soubise in 1738. This showed a traveller on horseback among mountains under a stormy sky. [11] In his print of the same subject, Jean-Baptiste Oudry reversed the perspective to show the god riding a cloud chariot with the horseback traveller merely a small figure below. [12]