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‘Orientation’ is often used, especially in philosophy but also in science, to define other terms, without itself being defined. Because orientation is also required when analyzing orientation itself (in an orientation about orientation), it is an ultimate term, which one perpetually returns to when trying to go behind it. [ 9 ]
Ultimately, then, it is the person experiencing the artwork who must distinguish and appreciate these common qualities, for “the intelligibility of a work of art depends upon the presence to the meaning that renders individuality of parts and their relationship in the whole directly present to the eye and ear trained in perception.”
Anthropocentrism is the privileging of humans as "subjects" over and against nonhuman beings as "objects". Philosophical anthropocentrism tends to limit certain attributes (e.g., mind, autonomy, moral agency, reason) to humans, while contrasting all other beings as variations of "object" (that is, things that obey deterministic laws, impulses, stimuli, instincts, and so on).
The first definition holds that an object is an entity that fails to experience and that is not conscious. The second definition holds that an object is an entity experienced. The second definition differs from the first one in that the second definition allows for a subject to be an object at the same time. [3]
An aesthetic interpretation is an explanation of the meaning of some work of art. An aesthetic interpretation expresses an understanding of a work of art, a poem, performance, or piece of literature. There may be different interpretations to same work by art by different people owing to their different perceptions or aims.
The meaning of philosophy changed toward the end of the modern period when it acquired the more narrow meaning common today. In this new sense, the term is mainly associated with philosophical disciplines like metaphysics, epistemology, and ethics.
The term "female gaze" was created as a response to the proposed concept of the male gaze as coined by Laura Mulvey. In particular, it is a rebellion against the viewership censored to an only masculine lens and feminine desire regardless of the viewer's gender identity or sexual orientation. [13] In essence, the forced desire of femininity ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...