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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Another example of the later Beethoven's daring approach to voicing can be found in the second movement of his Hammerklavier Sonata, Op. 106. In the trio section of this movement (bars 48ff), Martin Cooper notes that “Beethoven has enhanced the strangeness of the effect by laying out much of the music four or five octaves apart, with no ...
The Double Doink was a game-ending field goal attempt by Chicago Bears kicker Cody Parkey in the National Football League (NFL)'s 2018 NFC Wild Card game.Parkey's failed 43-yard field goal attempt against the Philadelphia Eagles was partially blocked by Eagles defensive lineman Treyvon Hester, hit the left upright, then bounced off the crossbar, and finally fell back out onto the goal line ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Use of a triple-dotted note value is not common in the Baroque and Classical periods, but quite common in the music of Richard Wagner and Anton Bruckner, especially in their brass parts. [citation needed] An example of the use of double- and triple-dotted notes is in Frédéric Chopin's Prelude in G major for piano, Op. 28, No. 3.
Further examination of the "double-doink" shows the Eagles’ Treyvon Hester got a hand on the botched 43-yard field goal attempt.
Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]