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Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. [1] This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia , André Masson and Max Ernst , who employed drip painting in his works The Bewildered Planet , and Young ...
In the mid-1950s, the Tremaine family transitioned their art collection activities from the Miller Co. to the private Tremaine Collection. Their decisions regarding art and design were made in various locations, including Meriden, Madison, Connecticut, and New York City. Many artworks that were attributed to the Miller Co. were actually ...
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
Joseph Glasco (January 19, 1925 – May 31, 1996) was an American abstract expressionist [1] painter, draftsman and sculptor. He is most known for his early figurative drawings and paintings and in later years for deconstructing the figure to develop his non-objective paintings building on abstraction of the 1950s.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
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