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In 1946, the famous Cuban writer, art critic and musicologist Alejo Carpentier (b. 104) established a benchmark with his work “La música en Cuba” (1946), an attempt to put together a comprehensive history of Cuban music from the 16th century until his time. Although the work presented as facts some controversial historical issues, such as ...
Punto guajiro or Punto Cubano, or simply Punto, is a sung genre of Cuban music, an improvised poetic-music art that emerged in the western and central regions of Cuba during the 19th century. [89] Although Punto appears to come from an Andalusian origin, it is a true Cuban genre because of its creole modifications.
The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music" (by analogy to art history, which tends to focus on elite art). The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual ...
La Flor de Cuba, possibly the earliest surviving photograph of a Cuban popular band) They were playing in the Teatro Villanueva in Havana in 1869 when the Spanish Voluntarios attacked the theatre, killing some ten or so patrons who had been watching a bufo (musical satirical comedy), and applauding its revolutionary sentiments.
This is a timeline of Cuban history, comprising important legal and territorial changes and political events in Cuba and its predecessor states. To read about the background to these events, see History of Cuba. See also the list of colonial governors of Cuba and list of presidents of Cuba
That same year, he participated as juror in the first Musicology Contest of Casa de Las Américas in Havana, Cuba. Between 1988 and 1999, Orozco collaborated as musicologist with the Smithsonian Institution in Washington D.C., and also contributed to the LAMR magazine from the Austin University, in Texas.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical education; as well as the popular styles of Rumba Urbana or "de cajón" (wooden boxes) and the Cuban Carnival Conga (music).