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This is a navigational list of notable writers who have published significant work in the horror fiction genre, who also have stand-alone articles on Wikipedia. All items must have a reference to demonstrate that they have produced significant work in the horror genre.
This is a list of lists of horror films. Often there may be considerable overlap particularly between horror and other genres (including action , thriller , and science fiction films ). By decade
Newman later described Cat People and the other horror productions by Lewton such as I Walked with a Zombie (1943) and The Seventh Victim (1943) as "polished, doom-haunted, poetic" while film critic Roger Ebert the films Lewton produced in the 1940s were "landmark[s] in American movie history". [55] Several horror films of the 1940s borrowed ...
[5] The Black Cat: Lucio Fulci: Patrick Magee, Mimsy Farmer, David Warbeck: Italy United Kingdom [6]Blood Beach: Jeffrey Bloom: David Huffman, Marianna Hill, John Saxon: United States [7]
Horror films released in 2022; Title Director Cast Country Subgenre/Notes A Party to Die For: Nanea Miyata Jonetta Kaiser, Kara Royster, Jermaine Rivers: United States Horror Thriller [1] A Town Full of Ghosts: Isaac Rodriguez Andrew C. Fisher, Mandy Lee Rubio, Sarah Froelich, Keekee Suki, Ali Alkhafaji, Lauren Lox, Mike Dell United States
Images is a 1972 psychological horror film directed and co-written by Robert Altman and starring Susannah York, René Auberjonois and Marcel Bozzuffi.The picture follows an unstable children's author who finds herself engulfed in apparitions and hallucinations while staying at her remote vacation home.
Horror films released in the 1980s are listed in the following articles: List of horror films of 1980; List of horror films of 1981; List of horror films of 1982; List of horror films of 1983; List of horror films of 1984; List of horror films of 1985; List of horror films of 1986; List of horror films of 1987; List of horror films of 1988
By that May, the filmmaker completed the newest draft while describing the tone as closer to the original films with horror elements, but a portrayal of the monsters as rejects. [152] Feig had been given the option to develop films of any characters from the roster of monsters owned by Universal Pictures, prior to his chosen project. [153] [154]