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"Cutie Pie" is a song performed by One Way, issued as the second single from their album Who's Foolin' Who. The song was the band's only appearance on the Billboard Hot 100, peaking at #61 in 1982. [4] It was used on the 2013 game Grand Theft Auto 5 for the radio station called Space 103.2
One Way is an American R&B and funk band that was popular in the late 1970s, and throughout most of the 1980s, led by singer Al Hudson. The group's most successful record was " Cutie Pie ", which reached number 4 on the Billboard Soul Singles chart and number 61 on the pop chart in 1982.
The album itself peaked #51 on the Billboard 200 and #8 on the R&B charts. Aside from 1984's #1 R&B album, Lady, this album is the highest charting in their seven-year run. Incidentally, former One Way vocalist Alicia Myers released a solo album that same year (1982) entitled I Fooled You this Time. [6]
Arrivals & Departures is the third studio album by Canadian post-hardcore band Silverstein. It was released on July 2, 2007, [ 1 ] on Victory . Silverstein promoted the album with music videos for the tracks "If You Could See Into My Soul" and "Still Dreaming".
It should only contain pages that are One Way (American band) songs or lists of One Way (American band) songs, as well as subcategories containing those things (themselves set categories). Topics about One Way (American band) songs in general should be placed in relevant topic categories .
It proved so popular, Gibbard recruited other musicians to make a full band, which would go on to record Something About Airplanes, the band's debut studio album. You Can Play These Songs with Chords was expanded with ten more songs and re-released on October 22, 2002, through Barsuk Records on the heels of the success of The Photo Album.
Death Cab for Cutie is kicking off a milestone 2023 with a just-underway winter North American tour and the announcement today (Jan. 31) that it has recorded a complete acoustic version of its ...
Departures marks yet another magnificent example in his already swollen filmography." [ 11 ] Complimenting the haunting musical score as one of the striking features of the film, Michael Sullivan a critic writing for The Japan Society of the UK commented "The music flows beautifully with Yojiro Takita's scenes such as nature, sunsets and a ...