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Pages in category "British harpsichordists" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes. A. Valda Aveling; B.
[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
Raymond Russell, a British harpsichordist and organologist, bought his first historic keyboard instrument in 1939. [2] Over the next twenty years he assembled a considerable collection of seventeenth- and eighteenth-century clavichords and harpsichords.
Joseph Payne (6 July 1937 [1] – 14 January 2008) was a British/Swiss German harpsichordist, clavichordist, organist and musicologist, whose worldwide reputation was based on his performances of music of all periods, though best known for his pioneering recordings of early keyboard music accompanied by his meticulously informative liner notes.
[5] The Scarlatti series was followed by recordings of Haydn and Mozart piano works on fortepiano, harpsichord works by Soler and Seixas, and a five disc set of harpsichord and organ music by Girolamo Frescobaldi, the latter included in the 2012 Penguin Guide to the 1000 Finest Classical Recordings. [6]
Christopher Jarvis Haley Hogwood CBE (10 September 1941 – 24 September 2014) was an English conductor, harpsichordist, and musicologist.Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century.
Musicians who play the harpsichord are known as harpsichordists. This list includes post 19th-century harpsichordists. This list includes post 19th-century harpsichordists. Notable earlier harpsichordists mostly appear on the list of Baroque composers .
Gannon seated at his first harpsichord, completed in 1952. While reading a series of articles about Tibet in a magazine, Gannon stumbled across an article, which, he believed, was by Violet Gordon Woodhouse, a British harpsichordist and clavichord player of the period. The article was about the revival of the harpsichord, which interested young ...