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Kant's antinomies are four: two "mathematical" and two "dynamical". They are connected with (1) the limitation of the universe in respect of space and time, (2) the theory that the whole consists of indivisible atoms (whereas, in fact, none such exist), (3) the problem of free will in relation to universal causality, and (4) the existence of a necessary being.
Kant called God, soul, and total world (cosmos) Ideas of Reason. In doing so, he appropriated Plato's word "Idea" and ambiguously changed its settled meaning. Plato's Ideas are models or standards from which copies are generated. The copies are visible objects of perception. Kant's Ideas of Reason are not accessible to knowledge of perception.
Space and time do not have an existence "outside" of us, but are the "subjective" forms of our sensibility and hence the necessary a priori conditions under which the objects we encounter in our experience can appear to us at all. Kant describes time and space not only as "empirically real" but transcendentally ideal. [5]
Universalizing a maxim (statement) leads to it being valid, or to one of two contradictions—a contradiction in conception (where the maxim, when universalized, is no longer a viable means to the end) or a contradiction in will (where the will of a person contradicts what the universalisation of the maxim implies).
For Kant there are four antinomies, [3] [4] [5] connected with: [6] the limitation of the universe in respect to space and time; the theory that the whole consists of indivisible atoms (whereas, in fact, none such exist) the problem of free will in relation to universal causality; the existence of a universal being [2]
Kant uses an example in his refutation of idealism. Idealists believe that objects have no existence independent of the mind. Briefly, Kant shows that: since idealists acknowledge that we have an inner mental life, and; an inner life of self-awareness is bound up with the concepts of objects which are not inner, and which interact causally,
The Critical project, that of exploring the limits and conditions of knowledge, had already produced the Critique of Pure Reason, in which Kant argued for a Transcendental Aesthetic, an approach to the problems of perception in which space and time are argued not to be objects. The First Critique argues that space and time provide ways in which ...
Kant calls such acts examples of a contradiction in conception, which is much like a performative contradiction, because they undermine the very basis for their existence. [2] Kant's notion of universalizability has a clear antecedent in Rousseau's idea of a general will. Both notions provide for a radical separation of will and nature, leading ...