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The cycle is the work of many authors, some sourced from the York Cycle. However, the most significant contribution has been attributed to an anonymous author known as the "Wakefield Master." It is believed that his additions include Noah, The First Shepherds' Play, The Second Shepherds' Play, Herod the Great and The Buffeting of Christ.
A literary cycle is a group of stories focused on common figures, often (though not necessarily) based on mythical figures or loosely on historical ones. Cycles which deal with an entire country are sometimes referred to as matters .
The plays were performed by a combination of clerics and amateurs and were written in highly elaborate stanza forms; they were often marked by extravagant sets and special effects, but could also be stark and intimate. There was a wide variety of theatrical and poetic styles, even in a single cycle of plays.
The Epic Cycle was the distillation in literary form of an oral tradition that had developed during the Greek Dark Age, which was based in part on localised hero cults. The traditional material from which the literary epics were drawn treats Mycenaean Bronze Age culture from the perspective of Iron Age and later Greece.
The plays are one of four virtually complete surviving English mystery play cycles, along with the Chester Mystery Plays, the Towneley/Wakefield plays and the N-Town plays. Two long, composite, and late mystery pageants have survived from the Coventry cycle and there are records and fragments from other similar productions that took place ...
The Second Shepherds' Play (also known as The Second Shepherds' Pageant) is a famous medieval mystery play which is contained in the manuscript HM1, the unique manuscript of the Wakefield Cycle. These plays are also referred to as the Towneley Plays, on account of the manuscript residing at Towneley Hall.
The name Hegge Plays only briefly caught on, and the most common way to refer to these plays now is The N-Town Plays, after the reference in the last stanza of the opening proclamation that the play was to be played at "N-Town"; when the plays toured from town to town, "N" (meaning nomen, the Latin for name) would be replaced by the name of the ...
The entire eight plays in historical order (the second tetralogy followed by the first tetralogy) as a cycle. Where this full cycle is performed, as by the Royal Shakespeare Company in 1964, the name The Wars of the Roses has often been used for the cycle as a whole.