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An early alternative method for curling hair that was suitable for use on people was invented in 1905 by German hairdresser Karl Nessler. [5] He used a mixture of cow urine and water. The first public demonstration took place on 8 October 1905, but Nessler had been working on the idea since 1896.
The playing surface or curling sheet is defined by the World Curling Federation Rules of Curling. [31] It is a rectangular area of ice, carefully prepared to be as flat and level as possible, 146 to 150 feet (45 to 46 m) in length by 14.5 to 16.5 feet (4.4 to 5.0 m) in width.
Early hair tongs. A hair iron is a tool used to change the structure of the hair with the help of heat. There are three general kinds: curling tongs, also known as curling irons, [2] used to make the hair curly; straighteners, also known as flat irons, [3] used to straighten the hair; and crimpers, [4] used to create small crimps in the hair.
The later Antonine period saw curls at the front of the head brought to a lower level than the Flavian period. The braids coiled at the back of the head were brought further forward, instead often resting on the top of the head. Another style of the Antonine period saw the hair separated into rivets and tied at the back. [49]
The Eye on the Hog is a sport officiating technology used in curling to electronically detect hog line violations. Commonly referred to as "sensor handles", it is based on a patent [ 1 ] filed by University of Saskatchewan that was further developed by Startco Engineering, a company that was later acquired by Littelfuse .
Following the controversy, these mustard-yellow broom-heads are the only legal broom-heads certified by the World Curling Federation for competitive play. "Broomgate" also known as brushgate was a technology doping controversy in the sport of curling during the 2015–16 season. It was caused by the result of new brush head technologies and ...
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A rare octagonal curling-house and artist studio (Duddingston Manse) built for the Duddingston Curling Society & Rev. John Thomson 1823-4. The upper floor was the studio and he named it 'Edinburgh', allowing his housekeeper to say that he had 'gone to Edinburgh' if a parishioner called when he was painting or curling.
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