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A politically charged hip-hop song has become the backdrop for the civil unrest that has rocked Cuba this summer. The... View Article The post Afro-Cuban music group’s song is the backdrop of ...
This double reed instrument, called suona in Chinese, was brought to Havana in the 19th century by Chinese immigrants. It was being used to play traditional Chinese music in the Chinese theaters in Havana's Chinatown, when an Afro-Cuban comparsa named “Los Chinos Buenos” adapted it to use in place of an inspirador ("lead singer").
Chinese Language and Arts School (Escuela de la Lengua y Artes China) opened in 1993 and has grown since then, helping Chinese Cubans to strengthen their knowledge of the Chinese language. Today, Chinese Cubans tend to speak Mandarin , Cantonese , and Hakka in addition to Spanish and English and may speak in a mixture of Chinese and Spanish.
The roots of most Afro-Cuban musical forms lie in the cabildos, self-organized social clubs for the African slaves, and separate cabildos for separate cultures. The cabildos were formed mainly from four groups: the Yoruba (the Lucumi in Cuba); the Congolese (Palo in Cuba); Dahomey (the Fon or Arará). Other cultures were undoubtedly present ...
“You couldn’t say anything about religion,” said Suarez, who today is one of Cuba’s highest ranking Catholic leaders. The Catholic Church — long associated with Cuba’s wealthier citizens — took an anti-communist stance shortly before Fidel Castro declared the country to be socialist in 1961. The government later accused prominent ...
Arguably the most popular religion in Cuba is Santeria, which fuses Catholicism with Afro-Caribbean traditions. Santería was born as a form of quiet resistance among Cuba’s Black communities. It dates back centuries to when Spanish colonists brought hundreds of thousands of enslaved Africans to Cuba, many from the Yoruba tribe of Nigeria.
[8] p181 Aside from rural music and Afro-Cuban folk music, the most popular kind of urban Creole dance music in the 19th century was the contradanza, which commenced as a local form of the English country dance and the derivative French contredanse and Spanish contradanza. While many contradanzas were written for dance, from the mid-century ...
The group started as a vocal quartet, then turned to symphonic rock before going on to explore a fusion between Afro-Cuban music—Cuban roots—and contemporary music. X Alfonso explains: “my music has always revolved around roots and exploration. That’s what I’m always trying to convey; I draw on folklore, on Cuba.”