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The song is referred to by Pete Seeger in his 1989 book Everybody Says Freedom. It falls under the folk music genre, which was popular in the 1930s and 1940s and was revived in the 1960s during the civil rights movement. Music and singing were an integral part of the movement, many songs being adapted from earlier religious songs. [1] [5] [6] [7]
Samuel Coleridge-Taylor arranged the song as the first movement of his Trio in E minor of 1893. [5] Multiple recordings of the song were made by Paul Robeson, starting in 1926. [6] Mahalia Jackson recorded the song for her album Bless This House in 1956. [7] Bessie Griffin and The Gospel Pearls recorded the song on their Portraits in Bronze ...
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
The song is sung around the world, with the simple lyrics and tune resonating with all ages. Harry Dixon Loes, who studied at the Moody Bible Institute and the American Conservatory of Music, was a musical composer and teacher, who wrote or co-wrote several other gospel songs. He wrote a popular adaptation of the song "This Little Light of Mine ...
Jesus music, known as gospel beat music in the United Kingdom, is a style of Christian music that originated on the West Coast of the United States in the late 1960s and early 1970s. This musical genre developed in parallel to the Jesus movement .
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...