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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.
The body length (not including the neck) of a 'full-size' or 4/4 violin is 356 mm (14.0 in) (or smaller in some models of the 17th century). A 3/4 violin is 335 mm (13.2 in), and a 1/2 size is 310 mm (12 in). Rarely, one finds a size referred to as 7/8 which is approximately 340 mm (13.5 in), sometimes called a "ladies' fiddle."
Cambridge Scientific Abstracts (later simply CSA) was a division of Cambridge Information Group and provider of online databases, based in Bethesda, Maryland, before merging with ProQuest of Ann Arbor, Michigan, in 2007. CSA hosted databases of abstracts and developed taxonomic indexing of scholarly articles.
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By late 2003, Nagyvary refined his techniques and produced a violin that was tested in a duel with the Leonardo da Vinci of 1725, an instrument not from Stradivari’s golden period. [5] Both violins were played in each of four selections of music by violinist Dalibor Karvay behind a screen to an audience of 600, from which 463 votes were ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
The key of C-sharp minor is a difficult one for the violin. [1] The first movement is in sonata form [1] and concludes with a contrapuntal cadenza. The Adagio is in three parts, with a central accompanied cadenza. The final movement is a complex rondo. It has a slow introduction, three episodes between the refrains, and a further long cadenza ...