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Symbolic interactionism is a sociological theory that develops from practical considerations and alludes to humans' particular use of shared language to create common symbols and meanings, for use in both intra- and interpersonal communication. [1] It is particularly important in microsociology and social psychology.
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...
Physical objects can be significant symbols, but vocal gestures, especially language, are the crucial significant symbols. [2] Language brings out the same response in both the speaker and hearer. Language is the highest form of communication, a mature development of the gesture situation; therefore, the major tool of the interaction from which ...
Sociological criticism is literary criticism directed to understanding (or placing) literature in its larger social context; it codifies the literary strategies that are employed to represent social constructs through a sociological methodology. Sociological criticism analyzes both how the social functions in literature and how literature works ...
Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
With semantics in play, researchers can understand symbols not only in their own environment, but other symbolic communication strategies as well. [4] Del Hawkins, a doctoral student from the University of Texas, proposed a model of communication that depicts how symbols, if responded to by an individual, can be used as a conversation.
A red telephone box is a British cultural icon. [3]According to the Canadian Journal of Communication, academic literature has described all of the following as "cultural icons": Shakespeare, Oprah, Batman, Anne of Green Gables, the Cowboy, the 1960s female pop singer, the horse, Las Vegas, the library, the Barbie doll, DNA, and the New York Yankees."