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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent exponents of abstract art in the Philippines". She wrote in the CCP Encyclopedia of Art that Bernardo worked in series, "combining geometrism and color research in such work groupings as the Bernardian series, the Rhapsody Square series, and the ...
This is an incomplete list of paintings by the Russian artist Wassily Kandinsky (1866–1944). During his life, Kandinsky was associated with the art movements of Der Blaue Reiter, Expressionism and Abstract painting. Kandinsky is generally credited as the pioneer of abstract art. [2]
In the winter of 1966–67, he returned to abstraction, this time in a distinctly personal, geometric style that departed from his early abstract expressionist period. The Ocean Park series, begun in 1967 and developed for the next 18 years, became his most famous work and resulted in approximately 135 paintings.
He stopped using colour (apart from in his graphic and geometric work) and began a period of 20 years working primarily with charcoal and cellulose acetate on canvas. Using iconic images; the cross and the grid. Allen described his work as being: "concerned with evolving and manifesting simple and direct images of a "concrete" nature.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Media in category "Abstract art" The following 3 files are in this category, out of 3 total. František Kupka, 1912, Amorpha, fugue en deux couleurs (Fugue in Two Colors), 210 x 200 cm, Narodni Galerie, Prague.jpg 2,933 × 2,813; 7.28 MB
In several versions of the painting, overlapping spirals, suggestive of the telescope body, [5] emanate from the golden-orange orb of the magnified and filtered Sun; these encounter the brilliant white star in the upper left—the Sun as seen with the naked eye. [3] The painting represents Balla's subjective experience of the event. [3]
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