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Hindi: Basant (raga) Basant Hai Aayaa Rangeela Stree (1961 film) C. Ramchandra: Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Ketaki Gulab Juhi Champaka Bana Phule Basant Bahar (film) Shankar–Jaikishan: Bhimsen Joshi: Hindi: Basant (raga) (Blend of Shuddha Vasant, Vasant, Shivranjani) Idhayam Kochadaiiyaan: A. R. Rahman: Chinmayi ...
Kedar is an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light classical songs based on it. According to the Guru Granth Sahib, raga Kedara (ਕੇਦਾਰਾ) expresses and makes the mind aware of the soul's true character. It conveys the emotions of honesty, integrity and truthfulness in ...
Bilaval or Bilawal (IAST: Bilāval) is a raga and the basis for the eponymous thaat (musical mode) in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat. [1] Bilaval has been the standard for North Indian music since the early 19th century. Its tonal relationships are comparable to the Western music C major scale.
This is a list of various Ragas in Hindustani classical music. There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many ...
Shahid Khan, writing for Planet Bollywood, gave the soundtrack ten out of ten stars and called the music the "soul of the film". [18] In 2004, Subhash K. Jha reviewed the re-mastered release of the soundtrack, praising the technical quality of the re-release and the original vocals of Lata Mangeshkar . [ 19 ]
Khamaj (IAST: Khamāj) is a Hindustani classical Music raga within the Khamaj thaat which is named after it.. Many ghazals and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance.
Raga Bageshri is a night time raga (madhya raatri Ragsamaya), written in Kaafi thaat, Ma Vadi, Sa Samvadi, 5/7 Jati, Hasya Rasa (associated with joyful, the comic, and happy emotions) [4]. [ 5 ] In modern days, people like the popular Hindi music director C.Ramchandra favour composing songs in Bageshri, as he found it simple.
Raga Bihag is a Hindustani classical raga (also spelled raag) belonging to the Bilawal thaat. Bihag uses all seven music swars , and both Madhyams ( Shuddha and tivra ) are used. The Shuddha Madhyam is more prominent; tivra Madhyama is only used with Panchama in the phrase PA MA' GA MA GA.