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"I'm Alright" is a song written and performed by American rock musician Kenny Loggins. It was used as the theme music for the 1980 comedy film Caddyshack. The track was released as a single in 1980 and then reached the top 10 of the U.S. singles chart. Eddie Money makes a guest appearance in the song's background chorus. [2]
"I'm Alright" (Jo Dee Messina song), this album's title track "I'm Alright" (Kenny Loggins song)", from the Caddyshack soundtrack, 1980; I'm Alright (Lynn Anderson album), 1970 ""I'm Alright" (Lynn Anderson song), a song by Lynn Anderson from the album of the same name "I'm Alright", a song by Jars of Clay from their album If I Left the Zoo "I ...
Kenneth Clark Loggins (born January 7, 1948) [3] is an American singer, songwriter, and guitarist. [4] His early songs were recorded with the Nitty Gritty Dirt Band in 1970, [5] which led to seven albums recorded with Jim Messina as Loggins and Messina from 1972 to 1977. [6]
Yesterday, Today, Tomorrow is the second compilation and first greatest hits album by American singer-songwriter Kenny Loggins.Released in 1997, it contains many of the hit singles from Loggins' solo career, including many of his movie soundtrack contributions, as well as "The Rest of Your Life," a preview of his subsequent album The Unimaginable Life.
The king of the 1980s movie soundtrack returns to the big screen as part of 'Top Gun: Maverick.'
But one thing stayed exactly the same, as if frozen in 1986: movie soundtrack master Kenny Loggins's original version of "Danger Zone." In a new interview published Tuesday in Variety, ...
It includes original songs from Kenny Loggins and a film score by Johnny Mandel. It also includes appearances by Journey, Paul Collins & the Beat, and Hilly Michaels. The soundtrack was a moderate success on the charts, peaking at No. 78 on the Billboard 200. In 2010, La-La Land Records reissued the soundtrack on CD.
Kenny Loggins’s new autobiography Still Alright chronicles his entire career, from his days as one-half of Loggins & Messina through that duo’s revival via the stranger-than-non-fiction satire ...