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The poetry of the era was published in several different ways, notably in the form of anthologies. The Book of American Negro Poetry (1922), Negro Poets and Their Poems (1923), An Anthology of Verse by American Negroes (1924), and Caroling Dusk (1927) have been cited as four major poetry anthologies of the Harlem Renaissance. [2]
Phan Khôi brought many new ideas to Vietnam, from a new democratic society with respect to human rights and civil rights, to equality for women, to a new trend of poetry. He provided the best spirit to a debate in Bàn thêm về "bút chiến" , which until today is still the foremost valuable lesson the Vietnamese ought to learn.
The poetry of the era was published in several different ways, notably in the form of anthologies. The Book of American Negro Poetry (1922), Negro Poets and Their Poems (1923), An Anthology of Verse by American Negroes (1924), and Caroling Dusk (1927) have been cited as four major poetry anthologies of the Harlem Renaissance. [2]
The Book of American Negro Poetry is a 1922 poetry anthology that was compiled by James Weldon Johnson. The first edition, published in 1922, was "the first of its kind ever published" [1] and included the works of thirty-one poets. A second edition was released in 1931 with works by nine additional poets.
Marcus Bruce Christian (March 8, 1900 – November 21, 1976), was a New Negro regional poet, writer, historian and folklorist. The author of the collection, I Am New Orleans and Other Poems (posthumously edited by Rudolph Lewis and Amin Sharif and published by Xavier Review Press), Christian also compiled and wrote the still-unpublished manuscript, The History of The Negro in Louisiana during ...
Fenton Johnson (May 7, 1888 – September 17, 1958) was an American poet, essayist, author of short stories, editor, and educator.Johnson came from a middle-class African-American family in Chicago, where he spent most of his career.
Hàn Mặc Tử's early poems—praised by Phan Bội Châu—are famous for their purity of diction and form, and show him to be a fluent Classicist with a strong interest in realistic subjects. Subsequently, his poetry showed the influence of French Symbolism , and after he fell sick, became increasingly violent and despondent.
Nguyễn Khắc Hiếu (阮克孝), pen name Tản Đà (chữ Hán: 傘沱, 19 May 1889 – 7 June 1939) was a Vietnamese poet. [1]He used both traditional Sino-Vietnamese forms and European influences and was a transitional figure between the turn of the 1890s such as Tú Xương and Nguyễn Khuyến and the "New Poetry" movement of the 1930s.