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Femme fatale: An almost obligatory character who is integral in Film Noir, she is an antagonist originally appearing as a beautiful and alluring woman who is also cunning, deceptive, and traitorous. She may originally appear as a damsel in distress, but the she draws men into a honey trap, and may be motivated by money, power, revenge, and/or ...
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
The vamp (femme fatale) is often a foil for the ingénue (or the damsel in distress). The ingénue is often accompanied by a romantic side plot. This romance is usually considered pure and harmless to both participants. In many cases, the male participant is as innocent as the ingénue. The ingénue is also similar to the girl-next-door stereotype.
Other near femme Fatales are Twilight Zone's "The Queen of the Nile", La Belle Dame sans Merci; Kolchak: The Night Stalker episodes "Demon In Lace" and "The Youth Killer" of fatales who kill/drain men with black magic to stay eternally young; a variation was the Sci-Fi series Otherworld episode "Paradise Lost" and "Star Trek" Cartoon series ...
The character is considered one of the best femme fatale roles in film noir history. [1] The character was ranked as the #8 film villain of the first 100 years of American cinema by the American Film Institute in the AFI's 100 Years... 100 Heroes and Villains .
A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir. The portrayal of women in film noir, and more specifically the term “femme fatale”, has been a topic of intrigue and fascination for decades. The ...
Destined to an ignominious watery death, it is the would be rescuer who is in very big distress; fortunately, his friends show up in the nick of time to save him from the clutches of the femme fatale. Conversely, Jo Nesbø revives a classical Damsel in distress trope in his 2007 crime novel The Snowman.
Hayworth is widely known for her performance in the 1946 film noir Gilda, opposite Glenn Ford, in which she played the femme fatale in her first major dramatic role. She is also known for her performances in Only Angels Have Wings (1939), The Strawberry Blonde (1941), Blood and Sand (1941), The Lady from Shanghai (1947), Pal Joey (1957), and ...