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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, Generalized Musical Intervals and Transformations. The theory—which models musical transformations as elements of a mathematical group —can be used to analyze both tonal and atonal music .
Music theory is a set of systems for analyzing, classifying, and composing music and the elements of music.Narrowly it may be defined as the description in words of elements of music, and the interrelationship toward the notation of music and performance practice.
The Journal of Music Theory is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl ( Yale University ) in 1957. According to its website, "[t]he Journal of Music Theory fosters conceptual and technical innovations in abstract, systematic musical thought and cultivates the ...
In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the sequence is: C, G, D, A, E, B, F ♯ /G ♭, C ♯ /D ♭, G ♯ /A ♭, D ♯ /E ♭, A ♯ /B ♭, F ...
AHRC-funded research project containing music files viewable on-site or as downloads. Most of the music consists of chamber music and concertos for string instruments, edited and annotated by such players as Ferdinand David, Friedrich Grützmacher, and Joseph Joachim. University of Leeds Cardiff University: Chopin's First Editions Online
Music Theory Online is a quarterly peer-reviewed open access academic journal covering music theory and analysis. It was established in 1993 and is published by the Society for Music Theory. The initial issues were designated as part of volume 0. Volume 1 began in January 1995. Its founding editor-in-chief was Lee A. Rothfarb.
The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode.