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Traditionally, music publishing royalties are split seventy/thirty, with thirty percent going to the publisher (as payment for their services) and the rest going to the songwriter or songwriters. Other arrangements have been made in the past, and continue to be; some better for the writers, some better for the publishers.
Helping to promote the $1 billion music industry in the city is the Austin Music Office. A department of the Austin Convention & Visitors Bureau, the Austin Music Office offers creative, personalized assistance in booking live music, discounted Austin Compilation CDs and mini-guides to the city's live music scene, assistance with utilization of ...
MPL publishing owns a wide range of copyrighted material – covering nearly 100 years of music – by composers including McCartney, Buddy Holly, Carl Perkins, Jerry Herman, Frank Loesser, Meredith Willson, Harold Arlen and many others, [2] with songs, such as "Rock-a-Bye Your Baby with a Dixie Melody" (made famous by Al Jolson), "I'm Glad There Is You", "Blue Suede Shoes", and "That'll Be ...
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(Reuters) -X, the social media platform owned by Elon Musk, on Tuesday won the dismissal of most of a lawsuit by 17 music publishers that accused it of infringing copyrights on nearly 1,700 songs ...
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