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Shibusawa Eiichi, 1st Viscount Shibusawa in New York City in 1915. Shibusawa Eiichi, 1st Viscount Shibusawa (渋沢 栄一, March 16, 1840 – November 11, 1931) was a Japanese industrialist widely known today as the "father of Japanese capitalism", having introduced Western capitalism to Japan after the Meiji Restoration.
Sen no Rikyū (Japanese: 千利休, 1522 – April 21, 1591), also known simply as Rikyū, was a Japanese Buddhist monk and tea master considered the most important influence on the chanoyu, the Japanese "Way of Tea", particularly the tradition of wabi-cha. He was also the first to emphasize several key aspects of the ceremony, including rustic ...
Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture.
Nationalist politics in Japan sometimes exacerbated these tensions, such as denial of the Nanjing Massacre and other war crimes, [291] revisionist history textbooks, and visits by some Japanese politicians to Yasukuni Shrine, which commemorates Japanese soldiers who died in wars from 1868 to 1954, but also has included convicted war criminals ...
This is the reason why the entire cultural class of Japan, and all people of culture around the world, should kneel before the kamikazes and offer up prayers of gratitude. [ 82 ] [ 80 ] Mishima was deeply affected by Emperor Hirohito's radio broadcast announcing Japan's surrender on 15 August 1945, vowing to protect Japanese cultural traditions ...
Bakufu policy in this era was designed to marginalize the influence of foreigners; and Kaempfer had to present himself as "Dutch" in dealings with the Japanese. Regardless of this minor subterfuge, an unintended and opposite consequence of sakoku was to enhance the value and significance of a very small number of thoughtful observers like ...
Yoshimi Takeuchi was a Sinologist, a cultural critic and translator.He studied Chinese author Lu Xun and translated Lu's works into Japanese. His book-length study, Lu Xun (1944) ignited a significant reaction in the world of Japanese thought during and after the Pacific War.
Cool Japan (クールジャパン Kūru Japan) refers to the rise of Japan's soft power and prevalence internationally as a cultural influence. [13] These cultural elements project a message that markets and packages Japan as a nation of commerce and "pop culture diplomacy" as opposed to a militarily focused and driven country. [14]