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A house slave was a slave who worked, and often lived, in the house of the slave-owner, performing domestic labor. House slaves performed essentially the same duties as all domestic workers throughout history, such as cooking, cleaning, serving meals, and caring for children; however, their slave status could expose them to more significant ...
Slave quarters in the United States, sometimes called slave cabins, were a form of residential vernacular architecture constructed during the era of slavery in the United States. These outbuildings were the homes of the enslaved people attached to an American plantation, farm, or city property. Some former slave quarters were continuously ...
This is a list of slave cabins and other notable slave quarters. A number of slave quarters in the United States are individually listed on the National Register of Historic Places . Many more are included as contributing buildings within listings having more substantial plantation houses or other structures as the main contributing resources ...
Even slaves had slaves, really, it is true. Slaves of Fulbe lived in the same compound with the Fulbe. Slaves of smiths lived in the same compound with the smiths. Slaves lived in the same compound with the slaves (who owned them)... Everyone knew who was a slave of a free-born person, who was a slave of a smith, who was a slave of a slave." [142]
A plantation house is the main house of a plantation, often a substantial farmhouse, which often serves as a symbol for the plantation as a whole. Plantation houses in the Southern United States and in other areas are known as quite grand and expensive architectural works today, though most were more utilitarian, working farmhouses.
“Greetings, you have been selected to be a house slave at the high point Plantation Be ready November 7th at 8pm sharp,” the text read. It included an address to a museum in North Carolina.
What is now the House of Slaves, depicted in this French 1839 print as the House of signare Anna Colas at Gorée, painted by d'Hastrel de Rivedoux. A wall in the Museum: a mural depicting slaves being herded in the African bush by Europeans, a photo of Joseph Ndiaye with Pope John Paul II, a certificate from a US travel agency, and an aphorism – one of many that cover the walls – by Ndiaye.
The actors in Jeremy O. Harris's divisive 'Slave Play,' playing at the Mark Taper Forum through mid-March, tell The Times what was like to be part of this production.