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In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse.The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature.
It is vital not only to imagine space but also to follow the narration, the description, and the course of action, since all those may shape the fictitious reality by imposing the additional meanings on it. [7] Literary/cultural conventions constitute the second space-modelling code. This system is more abstract one than the previous one.
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
A literary movement called the language poets formed as a reaction against confessional poetry and took as their starting point the early modernist poetry composed by Gertrude Stein, William Carlos Williams, and Louis Zukofsky. Despite this, Language poetry has been called an example of postmodernism in American poetry.
Labov notes that the orientation (introduction) serves to orient the listener in respect to person, place, time, and behavioural situation. The orientation tells us how the story begins. An example would be “I went to the store in San Francisco.” [6] The complication of a narrative is the conflict. A complication is key in narrative because ...
In general, a heterotopia is a physical representation or approximation of a utopia, or a parallel space (such as a prison) that contains undesirable bodies to make a real utopian space possible. Foucault explains the link between utopias and heterotopias using the example of a mirror.
The idea of a fourth dimension has been a factor in the evolution of modern art, but use of concepts relating to higher dimensions has been little discussed by academics in the literary world. [1] From the late 19th century onwards, many writers began to make use of possibilities opened up by the exploration of such concepts as hypercube geometry .
In her essay, Woolf uses metaphors to explore social injustices and comments on women's lack of free expression. Her metaphor of a fish explains her most essential point, "A woman must have money and a room of her own if she is to write fiction". [2] She writes of a woman whose thought had "let its line down into the stream". [4]