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Nave of Ognissanti St Jerome in his Study, fresco by Domenico Ghirlandaio, 1480. The chiesa di San Salvatore di Ognissanti, or more simply chiesa di Ognissanti (Italian: [ˈkjɛːza di oɲɲisˈsanti; ˈkjeː-]; "Church of All Saints"), [n 1] is a Franciscan church located on the piazza of the same name [] in central Florence, region of Tuscany, Italy.
Florence Cathedral (Duomo di Santa Maria del Fiore) Florence Baptistery (Battistero di San Giovanni) Santissima Annunziata, Florence (Basilica della Santissima Annunziata) Badìa Fiorentina; Chiesa Valdese (Union of Methodist and Waldensian Churches) Gesù Pellegrino; Ognissanti; Orsanmichele; Sant'Agata; Sant'Ambrogio; Sant'Apollonia; Santi ...
Saint Jerome in His Study is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1480 and located in the church of Ognissanti, Florence.. The work was commissioned by the Vespucci family together with a Saint Augustine in His Study by Sandro Botticelli (1480).
This page was last edited on 11 January 2016, at 05:08 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The confraternity building was designed by Matteo and Giovanni Nigetti in 1602–1604, and built in land once the orchard of the Church of Ognissanti. The long hall where the confratelli gathered, was frescoed between 1633 and 1649 by quadri riportati of saints by Giovanni Martinelli , Domenico Pugliani , Baldassare Franceschini il Volterrano ...
It is in the church of Ognissanti in Florence. Botticelli was born in a house on the same street as the church, still called Via Borgo Ognissanti. He was to live within a minute or two's walk of this all his life, and to be buried in the church. [1]
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Unlike in other paintings by Giotto, the light source in Ognissanti Madonna is located on the right side of the piece as opposed to the left. The meaning behind this is not known for sure, although a few logical reasons for this could be the Ognissanti Madonna's placement within the church or Giotto's use of exaggeration with lighting. [6]