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Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
Italian Renaissance maiolica, Faenza, istoriato ware by Baldassare Manara, after Giovanni Antonio da Brescia, c 1520 -47. In-glaze or inglaze is a method of decorating pottery, where the materials used allow painted decoration to be applied on the surface of the glaze before the glost firing so that it fuses into the glaze in the course of firing.
Underglaze decoration is applied before the glaze, usually to unfired pottery ("raw" or "greenware") but sometimes to "biscuit"-fired (an initial firing of some articles before the glazing and re-firing). [10] [11] [12] A wet glaze—usually transparent—is applied over the decoration. The pigment fuses with the glaze, and appears to be ...
In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these ...
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Most pieces use only one of underglaze or overglaze painting. [15] Underglaze painting requires considerably more skill than overglaze, since defects in the painting will often become visible only after the firing. [14] During firing even refractory paints change color in the great heat. A light violet may turn into a dark blue, and a pale pink ...