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The Crucible is a 1953 play by the American playwright Arthur Miller.It is a dramatized and partially fictionalized [1] story of the Salem witch trials that took place in the Province of Massachusetts Bay from 1692 to 1693.
The Tragedy of Troilus and Cressida, often shortened to Troilus and Cressida (/ ˈ t r ɔɪ l ʌ s ... ˈ k r ɛ s ɪ d ə / or / ˈ t r oʊ. ɪ l ʌ s /) [1] [2]), is a play by William Shakespeare, probably written in 1602.
Act Scene Location Appr. # lines Synopsis I 1 A hall in Duke Solinus's Palace. 158 I 2 The mart. 105 II 1 The house of Antipholus of Ephesus. 116 II 2 A public place. 214 III 1 Before the house of Antipholus of Ephesus. 131 III 2 Before the house of Antipholus of Ephesus. 175 IV 1 A public place. 113 IV 2 A room in the house of Antipholus of ...
Sonnet 6 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. The sonnet continues Sonnet 5, thus forming a diptych. It also contains the same distillatory trope featured in Sonnet 54, Sonnet 74 and Sonnet 119. [2]
It is a rewrite of William Shakespeare's King Lear. The play was first produced at the Royal Court Theatre in 1971, featuring Harry Andrews in the title role. [1] It was revived by the Royal Shakespeare Company in 1982 with Bob Peck, and revived again at the Crucible Theatre, Sheffield, in 2005 with Ian McDiarmid. [2] [3]
In 2004, Shakespeare's Globe, in London, produced three performances of Romeo and Juliet in original pronunciation. [2] Spearheaded by linguist David Crystal and play director, Tim Carroll, [3] this was the beginning of contemporary interest in Shakespeare in original pronunciation.
Little is known of Shakespeare's personal life, and some anti-Stratfordians take this as circumstantial evidence against his authorship. [37] Further, the lack of biographical information has sometimes been taken as an indication of an organised attempt by government officials to expunge all traces of Shakespeare, including perhaps his school records, to conceal the true author's identity.
The quote appears in Act 3 Scene 1 of William Shakespeare's play Julius Caesar, [1] where it is spoken by the Roman dictator Julius Caesar, at the moment of his assassination, to his friend Marcus Junius Brutus, upon recognizing him as one of the assassins.