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Hypoionian mode with final on C Play ⓘ. The Hypoionian mode, literally meaning "below Ionian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the plagal mode on C, which uses the diatonic octave species from G to the G an octave higher, divided at its final, C.
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
The Ionian and Hypoionian modes (on C) become in this system modes 13 and 14. [ 50 ] Given the confusion between ancient, medieval, and modern terminology, "today it is more consistent and practical to use the traditional designation of the modes with numbers one to eight", [ 55 ] using Roman numeral (I–VIII), rather than using the pseudo ...
Ionian mode or major scale: Ionian on C. Play ... Ukrainian Dorian mode on C. Play ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
The major scale or Ionian mode is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth that duplicates the first an octave higher. The pattern of seven intervals separating the eight notes is T–T–S–T–T–T–S.
It is the plagal counterpart to the authentic Locrian mode, mode 11 in that system of numbering, in which the Ionian and Hypoionian become modes 13 and 14. [1] The ambitus of the mode lies between F and the F an octave higher, divided at the final, B.
Hypoaeolian mode on A Play ⓘ.. Hypoaeolian mode, literally meaning "below Aeolian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the musical plagal mode on A, which uses the diatonic octave species from E to the E an octave above, divided by the final into a second-species fourth (semitone–tone–tone) plus a first-species fifth (tone–semitone–tone–tone ...