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The Southern School (Chinese: 南宗画; pinyin: nán zōng huà) of Chinese painting, often called "literati painting" (文人画; wén rén huà), is a term used to denote art and artists which stand in opposition to the formal Northern School (北宗画; běi zōng huà) of painting. The distinction is not geographic, but relates to the ...
The dalanghita is sometimes compared to the dalandan, with a striking similarity between the two. The only difference is the type, from which the dalanghita is the Citrus nobilis, which produces the Mandarin orange, and the dalandan is from the C. × aurantium, which produces the Bitter orange, a fruit to which the dalandan is related. [5]
Literati may refer to: Intellectuals or those who love, read, and comment on literature; Intelligentsia, a status class of highly educated people who consciously shape society; The scholar-official or literati of imperial/medieval China Qing literati; Literati painting, also known as the southern school of painting, developed by Chinese literati
The Orchid Pavilion Gathering of 42 literati included Xie An and Sun Chuo [4] and Wang Pin-Chih at the Orchid Pavilion (Lanting) on Mount Kuaiji just south of Kuaiji (present-day Shaoxing in Zhejiang), during the Spring Purification Festival, on the third day of the third month, to compose poems and drink huangjiu.
Aestheticians and art philosophers often engage in disputes about how to define art. By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal ...
Bunjinga emerged as a new and unique art form for this reason, as well as due to the great differences in culture and environment of the Japanese literati as compared to their Chinese counterparts. The form was to a great extent defined by its rejection of other major schools of art, such as the Kanō school and Tosa school. In addition, the ...
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
Scholar-official as a concept and social class first appeared during the Warring States period; before that, the Shi and Da Fu were two different classes.During the Western Zhou dynasty, the Duke of Zhou divided the social classes into the king, feudal lords, Da Fu, Shi, ordinary people, and slaves.