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  2. Farther Up the Road - Wikipedia

    en.wikipedia.org/wiki/Farther_Up_the_Road

    "Farther Up the Road" or "Further on Up the Road" is a blues song first recorded in 1957 by Bobby "Blue" Bland. It is an early influential Texas shuffle and features guitar playing that represents the transition from the 1940s blues style to the 1960s blues-rock style.

  3. Hide Away (instrumental) - Wikipedia

    en.wikipedia.org/wiki/Hide_Away_(instrumental)

    In a song review for AllMusic, Bill Dahl commented: "No respectable blues band would dare mount a stage without having 'Hide Away' in their arsenal as their principal instrumental break song. So rousingly recognizable is its galloping shuffle groove and stinging melody that it has reigned as the blues set-closer for several decades."

  4. List of blues standards - Wikipedia

    en.wikipedia.org/wiki/List_of_blues_standards

    Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.

  5. Baby What You Want Me to Do - Wikipedia

    en.wikipedia.org/wiki/Baby_What_You_Want_Me_to_Do

    Backing Reed are his wife Mary "Mama" Reed on harmony vocal, Eddie Taylor and Lefty Bates on guitars, Marcus Johnson on bass, and Earl Phillips on drums. Jimmy Reed received the sole credit for the song, although blues historian Gerard Herzhaft points out "like almost all of Reed's pieces and whatever the official credits are, it is an original composition by his wife, Mama Reed."

  6. Big Boss Man (song) - Wikipedia

    en.wikipedia.org/wiki/Big_Boss_Man_(song)

    "Big Boss Man" is an uptempo twelve-bar blues shuffle that features "one of the most influential Reed grooves of all time". [1] It is credited to Jimmy Reed's manager, Al Smith, and Vee-Jay Records staff writer Luther Dixon. [1] The song is one of the few Reed hits that was written by someone other than Reed and his wife Mama Reed. [2]

  7. Pride and Joy (Stevie Ray Vaughan song) - Wikipedia

    en.wikipedia.org/wiki/Pride_and_Joy_(Stevie_Ray...

    Called "a classic Texas shuffle", [2] it has a twelve-bar blues arrangement, notated in the key of E [2] (although with Vaughan's guitar tuned one-half step lower, [3] resulting in the pitch of E ♭) in 4 4 time with a moderately fast tempo. The main guitar figure features a bassline along with muted chord chops to produce a percussive-like ...

  8. Truckin' - Wikipedia

    en.wikipedia.org/wiki/Truckin'

    "Truckin '" is associated with the blues and other early 20th-century forms of folk music. [6]"Truckin '" was considered a "catchy shuffle" by the band members. [7] Garcia commented that "the early stuff we wrote that we tried to set to music was stiff because it wasn't really meant to be sung... the result of [lyricist Robert Hunter getting into our touring world], the better he could write ...

  9. Stop Messin' Round - Wikipedia

    en.wikipedia.org/wiki/Stop_Messin'_Round

    "Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric ...