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"The 'Merciless' Magnificat": A Magnificat reflection by Father Johann Roten, S.M., University of Dayton's Marian Library/International Marian Research Institute. The Marian Library/IMRI is the world's largest repository of books, artwork and artifacts devoted to Mary and a pontifical center of research and scholarship.
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
The service has been recorded several times, [5] including a 1988 collection The Music of St. Paul's Cathedral, performed by the cathedral choir conducted by John Scott with organist Christopher Dearnley, [6] and a 1997 overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott ...
The Magnificat, in Latin also canticum Beat(issim)ae Virginis Mariae (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins.
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology. The following table shows the title, voices, tempo marking, time , key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, [1] by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements , scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets ...
The tonus peregrinus is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with Psalm 113, traditionally sung in vespers.In Lutheranism, the tonus peregrinus is associated with the Magnificat (also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus ...
Ralph Vaughan Williams composed his setting of the Magnificat or Song of Mary, one of the three New Testament canticles, in 1932. [1] It is scored for contralto soloist, women's chorus, and an orchestra consisting of two flutes (the first player has a very prominent solo part; the second player doubles on piccolo), two oboes, cor anglais, two clarinets, two bassoons, four horns, two trumpets ...