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Unlike conventional musical notation, the Dodeka music notation system uses a chromatic scale of 12 pitches and follows an equal pitch intervals configuration, with 4 lines per octave. [1] In this configuration, the 12 notes of an octave appear in four positions vis-à-vis the staff lines, that is, either on, between, above and below the lines.
Percussion notation is a type of musical notation indicating notes to be played by percussion instruments. As with other forms of musical notation, sounds are represented by symbols which are usually written onto a musical staff (or stave). Percussion instruments are generally grouped into two categories: pitched and non-pitched. The notation ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A typical five-line staff. In Western musical notation, the staff [1] [2] (UK also stave; [3] plural: staffs or staves), [1] also occasionally referred to as a pentagram, [4] [5] [6] is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different percussion instruments.
A clef (from French: clef 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical staff. Placing a clef on a staff assigns a particular pitch to one of the five lines or four spaces, which defines the pitches on the remaining lines and spaces.
Western letter pitch notation has the virtue of identifying discrete pitches, but among its disadvantages are its occasional inability to represent pitches or inflections lying outside those theoretically derived, or (leaving aside chordal and tablature notations) representing the relationship between pitches—e.g., it does not indicate the difference between a whole step and a half step ...
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Nonchord tones are often categorized as accented non-chord tones and unaccented non-chord tones depending on whether the dissonance occurs on an accented or unaccented beat (or part of a beat). Over time, some musical styles assimilated chord types outside of the common-practice style.